“Alive and deadly”: a sociolinguistic reading of rock songs by Australian Aboriginal musicians
Peter Dunbar-Hall
Introduction
<p…
Category: Popular Music and Society
Nationality, race, and gender on the American pop charts: what happened in the ’90s?
Alan Wells
This study investigates the degree …
“Now we’re on the top, top of the pops”: the performance of “non-mainstream” music on Billboard’s albums charts, 1981-2001
Jim Sernoe
<…
A Ass Pocket of Whiskey. – Review – sound recording review
George H. Lewis
A Ass Pocket of Whiskey. R. L. Burnside. Matador. OLE 21…
Somewhere
Garth Alper
Somewhere BILL CHARLAP TRIO, 2004 Blue Note 94807, Blue Note Records
The relationship that jazz has ha…
Al Jarvis: Pioneer Disc Jockey
Laurence W. Etling
The year is 1934, the dawn of the big band era. The music that is beginning to sw…
“A little too ironic”: the appropriation and packaging of Riot Grrrl politics by mainstream female musicians
Kristen Schilt
“RIOT G…
Mucho loco for Ricky Martin; or the politics of chronology, crossover, and language within the Latin music “boom” – o – 1
Maria Elena Cepe…
Blondie, from Punk to the Present: a Pictorial History
Mark Rubinfeld
Blondie, from Punk to the Present: A Pictorial History ALLAN …
American Indian Rap and Reggae: Dancing “To the Beat of a Different Drummer”. – sound recording review
Neal Ullestad
From the mount…