Age ain’t nothing but a number: a cross-cultural reading of popular music in the construction of sexual expression among at-risk adolescents
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Category: Popular Music and Society
National socialism with Fler? German Hip Hop from the right
Michael T. Putnam
This article examines the recent rise of right-wing t…
All singers are dicks
Deena Weinstein
How many singers does it take to screw in a lightbulb? One, to hold the bulb; the rest of the…
The innocents abroad: S Club 7’s America
Michael G. Robinson
Introduction
There is a long history of hyping America to Europ…
E-commerce business models for the music industry
Mark Fox
Introduction
In 2000, global sales of CDs, cassettes, and vinyl r…
Voices from Chinese rock, past and present tense: social commentary and construction of identity in Yaogun yinyue, from Tiananmen to the present…
Rap Music and Street Consciousness
Michael Marino
Rap Music and Street Consciousness CHERYL L. KEYES University of Illinois Press, …
Pow! to the people: the make-up’s reorganization of punk rhetoric
Theodore Matula
The mainstreaming of punk rock in the 1990s was d…
Fur Elise, circa 2000: postmodern readings of Beethoven in popular contexts
Mina Yang
Although European classical music is often he…
“Bye, bye baby”: race, bisexuality, and the blues in the music of Bessie Smith and Janis Joplin
Jana Evans Braziel
Bye, bye-bye, ba…