“A living death”: gothic signification and the nadir in The Marrow of Tradition – Charles W. Chesnutt – Critical Essay
Gerald Ianovici
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Category: MELUS
Literary migration: Abraham Cahan’s The Imported Bridegroom and the alternative of American fiction – Critical Essay
Philip Joseph
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Du Bois’s Horizon: documenting movements of the color line – Critical Essay
Susanna Ashton
“The problem of the Twentieth Century is…
“To be Loved and Cry Shame”: a psychological reading of Toni Morrison’s Beloved – Critical Essay
Lynda Koolish
The struggle for psy…
Black Orpheus: Richard Wright’s “The Man Who Lived Underground” – Critical Essay
Carla Cappetti
“Leaving, then, the white world, I …
Hybridizing the “City upon a Hill” in Toni Morrison’s Paradise
Ana Maria Fraile-Marcos
How can they hold it together…. this hard-…
Shirley Geok-lin Lim: an interview
Mohammed A. Quayum
Writer, critic, activist, educator, Shirley Geok-lin Lim was born in Malacca,…
Bilingualism and identity in Julia Alvarez’s poem “Bilingual Sestina” – Critical Essay
Catharine E. Wall
US Latino literature in En…
Langston Hughes: Critical Perspectives Past and Present. – book reviews
Nicholas M. Evans
Edited by Henry Louis Gates, Jr. and K.A. …
Sui Sin Far/Edith Maude Eaton: A Literary Biography
Martha Patterson
Annette White-Parks. Urbana: University of Illinois Press, 1995…
