Narrative and Freedom: The Shadows of Time. – book reviews
Kenneth Womack
In Narrative and Freedom, Gary Saul Morson continues his a…
Category: Style
Pragmatic Markers in English: Grammaticalization and Discourse Functions – Review
Monika Fludernik
Laurel J. Brinton. Grammaticaliz…
Reading in the dark: cognitivism, Film Theory, and radical interpretation
Bryan Vescio
The growing cachet of film studies has been …
Reading the Past: Literature and History – Book Review – Review
Wim Van Mierlo
Tamsin Spargo, ed. Reading the Past: Literature and …
“What music lies in the cold print”: Larkin’s experimental metric
Peter Groves
“When I read Larkin first in 1956, he made other sty…
“Measure for Measure”: chiasmus, justice, and mercy
Ira Clark
1. Chiasmus, Antimetabole, Commutatio, Permutatio, Counterchange
<…
Burlesque dreams: American amusement, autobiography, and Henry Miller
William Solomon
We wait that writhing pool, her pearls collaps…
“Discovering” the Fictional Worlds of lyric poetry
Miroslav Cervenka
1. The Subject as the Center of a Fictional World
Not t…
A Catalogue of Selected Rhetorical Devices Used in the Works of Edgar Allan Poe
Brett Zimmerman
The issue of Poe’s “style” has long…
“They but reflect the things”: style and rhetorical purpose in Melville’s “The Piazza Tale”
Scott A. Kemp
That Herman Melville foun…