Intimations of immortality: Catholicism in David Lodge’s Paradise News
Crowe, Marian E
THE question facing the theologian today is, …
Category: Renascence
GADAMER AS LITERARY CRITIC: “AUTHENTIC INTERPRETATION” OF A RILKE SONNET
Hamner, Everett
GIVEN the interest in recent years in the t…
DRAMATIC CONVERSION OF NICHOLAS BARBER IN BARRY UNSWORTH’S MORALITY PLAY, THE
Russell, Richard Rankin
A significant strand of Britis…
Graham Greene, Evelyn Waugh and Mexico
Brennan, Michael G
1. “It is before you cross a frontier that you experience fear” (Graham Gr…
BIBLICAL FOUNDATION OF JAMES BALDWIN’S “SONNY’S BLUES”, THE
Tackach, James
SONNY’S Blues” is James Baldwin’s most anthologized and m…
C.S. Lewis and the scholarship of imagination in E. Nesbit and Rider Haggard
Nicholson, Mervyn
To explore the scholarship of imagina…
Appeals for pity in the Heptameron
Baker, Mary J
MARGUEITE de Navarre’s Heptameron, a major Renaissance collection of stories, is bo…
ANAGOGICAL VISION AND COMEDIC FORM IN FLANNERY O’CONNOR: THE REASONABLE USE OF THE UNREASONABLE
Askin, Denise T
FLANNERY O’Connor wa…
New light on Shakespeare’s Catholicism: Prospero’s epilogue in The Tempest
David N Beauregard
SHAKESPEARE’S religious affiliation ha…
JANE EYRE AND THE TRADITION OF SELF ASSERTION; OR, BRONTË’S SOCIALIZATION OF SCHILLER’S “PLAY AESTHETIC”
Weele, Michael Vander
WE a…