DRAMATIC CONVERSION OF NICHOLAS BARBER IN BARRY UNSWORTH’S MORALITY PLAY, THE
Russell, Richard Rankin
A significant strand of Britis…
Category: Renascence
GADAMER AS LITERARY CRITIC: “AUTHENTIC INTERPRETATION” OF A RILKE SONNET
Hamner, Everett
GIVEN the interest in recent years in the t…
Intimations of immortality: Catholicism in David Lodge’s Paradise News
Crowe, Marian E
THE question facing the theologian today is, …
Walker Percy’s eucharistic vision
Desmond, John F
DURING the last few years of his life, Walker Percy corresponded with Kenneth Lain…
W.H. Auden’s “Vespers”: A Christian refutation of Utopian dreams of ultimate fulfillment
Curtis, Jan
The past is not to be taken ser…
Shakespeare’s conception of moral order in Macbeth
Tufts, Carol Strongin
SHAKESPEARE’S CONCEPTION OF MORAL ORDER IN MACBETH FOR all …
“The latter end of job”: The gift of narrative in Muriel Spark’s The Only Problem and The Comforters
Christensen, Bryce
THE number o…
Greene, Tolkien, and the mysterious relations of realism and fantasy
Wendorf, Thomas A
IF realist Graham Greene could draw criticism…
Graham Greene, Evelyn Waugh and Mexico
Brennan, Michael G
1. “It is before you cross a frontier that you experience fear” (Graham Gr…
Graham Greene, Evelyn Waugh and Mexico
Brennan, Michael G
1. “It is before you cross a frontier that you experience fear” (Graham Gr…