The textures of complexions: Dwight Rhoden and Desmond Richardson and a company where communication is key
Rose Eichenbaum
COMPLEXI…
Category: Dance Magazine
Back when the U.S. knew how to treat prisoners
Jessie Male
Choreographer and educator Diane Dragone mines her cultural heritage in …
Irene Dowd: teacher’s wisdom
Irene Dowd, author of Taking Root to Fly: Articles on Functional Anatomy for Dancers, has developed a unique…
Does classicism have a color? Even today, Black Ballet Dancers face painful hurdlesand surmount them
Karyn D. Collins
Mitchell, w…
Dances of protest
Is there a role for art in troubled times beyond escape or catharsis? These choreographers thought so; their dances wer…
David Parsons Dance Company – Names in the News – Brief Article
ROBERT STERN, chairman emeritus of DANCE MAGAZINE, has joined the board o…
Trying for the top: every year Cirque du Soleil auditions hundreds of aspiring dancers. A handful make it under The Big Top – Auditions Guide 20…
Auditions guide 2004 – Employment-Education
Kate Lydon
Auditions: Like them or not, they are part of a dancer’s life. In this 2004 …
Where the jobs are: Las Vegas – employment for dancers
Richard Dean Jenkins
Las Vegas–the words inspire images of sun-splashed, go…
Competitions across the boards – results of 1998 ballet and contemporary dance competitions for young performers
K.C. Patrick
It wa…